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A slender, sixteen foot long mirror spanned the floor of an exhibition studio with an uninterrupted line of cocaine running down its center. Critics and visitors alike slowly realized what the powder was and some partook, getting on all fours or lying nearly prone on the floor to do so. A sort of joke on the fiendishness of the art market that invited viewers to satiate baser wants at the cost of prostrating one’s self in front of others.
Jan 29, 2024

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The installation first debuted in 1966 at the 33rd Venice Biennale—an unofficial and rather controversial showcase, as Kusama installed 1,500 reflective spheres on the grass without permission. She sold each sphere for 1,200 Lira (around 2 USD at the time) while dressed in a sash that read: 'Your Narcissism for Sale.' This bold exhibition invited viewers to confront their own reflections and question the role of narcissism in the commercialization of art. I took these photos at the Crystal Bridges museum where the spheres were scattered across a reflective pond, referencing the Greek myth of Narcissus who fell in love with his own reflection.
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Having a permanent Marguerite Wibaux sculpture installation on top of my stove with Mara Catalan, Dada Shikako, and Locker Room prints as a backdrop is so much chicer than using one’s oven to store shoes.
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