Related Recs
i didn’t quite appreciate this song as much as i do now until seeing it performed as the closer to his live show… such a great encapsulation of the feeling of years of life under very late capitalism weighing on you
how hard can you go,
and for how long can you sustain it?
when the force that fights back
doesn’t ever relax
it’s so relentless,
oh how long can you defend
against a cheat code?
at a furious pace,
with a smile on your face
May 5, 2024
(spotify link)
these lyrics feel particularly relevant in our current moment
THEY WOULDN'T BE YOUR FRIEND IF YOU WEREN'T WORTH SOMETHING
IF YOU DIDN'T HAVE SOMETHING THEY COULD TAKE
Aug 7, 2024
🎺
jeff does have some lyrics that TEND towards the depressing… but he also writes with a good amount of hope on some tracks. most importantly, i think the ska punk version of this album embraces a playfulness and an energy that is a lot of fun.
(answering this was hard bc i realized my taste in music is also overwhelmingly depressing)
Mar 1, 2024
Top Recs from @gnomes
Really adds texture and personality, i’ve been inspired a lot by twee and mod culture recently and i find these posters really fun and exciting.
Apr 8, 2025
Alright here’s a quick look at hand processing 16mm motion picture film. The stock I shot for this film is called Kodak 3378, it’s a high contrast black and white reversal film stock, which basically means it doesn’t develop as a negative but as the actual viewable image. The process of “hand development” is an interesting one. First 100 ft of film are loaded into a light proof tank. The chemical process I used is called E6 and it consists of a few steps that can be performed at room temperature: first developer, second developer, rinse, bleach, fixer, photoflow. Exposing the film to these chemicals four particular times results in the final image. This step is the rinse, the 3378 stock is the slightly purple film.
Hand processing creates strange patterns and aberrations, disturbances created by a process that is inherently imperfect. It allows the artist to play with the parameters of 16mm image making but maybe more importantly, its results are a direct effect of the artist’s hand on their work. This is why we shoot film in a digital world: it’s something we can physically affect as true human beings.
Mar 19, 2025
I thought I’d delve a little into the behind the scenes of a personal film I’m working on. I’ve been a type one diabetic for about fifteen years and have become recently obsessed with creating a film about the American medical system. I aim to capture the feeling that the medication that provides you with the ability to exist may one day be taken away, or not covered, or not delivered in time. I deal with the insulin saga every month, and while it may be an extreme example, I think many Americans live in similar situations.
That‘s the context. What I really want to delve into is the process of creating 16mm imagery, from shooting to developing, to editing. This is what our rig looked like when I decided to shoot a few months worth of the disposable needles I use to inject. I wanted to create an in camera “split screen” effect. To do that, I covered three quarters of the image plain and shot through my film. Then, I’d rewind and adjust my matte to expose one of the remaining quarters, doing so until I had a complete image. I’ll go a little more into the film stock when I talk about hand development :)
Mar 13, 2025