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When I return to the places I lived There is a sink that tends to be soul felt Its just a wall, a room, paper, some wood I want to tear down paint, paper, to studs Even the studs, could be shredded - exposed There is nothing below but more sameness My bones are just, eyes and heart are, objects During disect-tations, we did the same We ripped until organs were mixed pieces We cut brazen looking for what? something An eye, beaut’ful, wet soft, there is ne’re more Looking for the subject in the object Looking for the pain, love, a house no home To be studs, paint, paper, instead of I am  A thing, ‘stead of The Thing rips me apart I am I am I am I am I am Please don't pull me from this body of mine It fails and falls, but it is all, all all.

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Top Recs from @green_thumb_in_my_bum

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There's a thing that I notice at art museums sometimes. Someone wearing a slightly annoyed expression will be speeding through the exhibit like they are going down a long to do list. Or I'll be playing a board game with a group and there will be some guy with a strained face looking like they'd rather be anywhere else. Maybe another time we're leaving a movie and they start to complain about how it 'wasn't realistic', you get the picture. I swear to God it makes me want to pulpify their face. I'm not saying that you need to like every piece of art or that you should feel bad for not liking a movie, but, goddamn, at least give it a fucking second. Closing yourself off to The New, being automatically opposed to earnestness when it appears, is one of the most damaging defense mechanisms I can think of. It is, in turn, also one of the best ways to maximize your misery. The defense mechanism that is cynicism, turns its users into parasites of the Social; they are sold the idea (a lie) that damaging and denigrating <<something>> allows one to become independent of its power structure. On the contrary, just as a leech is the most dependent on its host, cynics are those that are most dependent on the power structures in our culture.  I really want to emphasize the difference between criticism and cynicism, because I am in no way saying that we should not criticize bad or damaging art, but to successfully criticize something means to first buy in, to really allow yourself to be taken by a piece, to examine it as it comes. Buying in as a term (even one so bathed in capitalist sebum) is the right one in this case because to buy in requires one to make a sacrifice. You cannot experience art without opening yourself to the possibility that it will do damage to you. To fully allow yourself to be moved by a piece of art is to allow yourself to be cut.  But inside that cut is what it means to be human. I think the single best way to combat cynicism is an unceasing curiosity of the world and the people in it. The normal and common of this world is absolutely fantasmatic if you take a moment to examine it; we see the world through have fluid filled orbs made of meat for fucks sake. The fact that there is anything at all, the fact that you and I exist for even a second is an absolutely unbelievable mind fuck, and to be unimpressed by any and everything doesn’t make you special or better than anyone, it just leaves you on a road to the pit of despair and leaves me really bummed out for the rest of the night.
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In truth people really don't give a shit as long as you are chill.