Related Recs

🎶

faces, "Glad and Sorry"

I finally figured out how to play this on guitar instead of piano as it's constructed here (it's in a different tuning -- drop C, CGCFAD which is also what Nirvana's "On a Plain" is in) I think it's Faces' greatest song, from among many candidates -- Rod Stewart basically isn't on it, he's barely on this album TBH -- it was written and sung by Ronnie Lane. You might read this if you want a deep dive/interpretation: https://oneweekoneband.tumblr.com/post/3776097665/faces-glad-and-sorry-when-they-reconvened-to “Can you show me a dream/Can you show me one that’s better than mine/Can you stand it in the cold light of day/Neither can I.” This is the bit that really gets me, everytime. "Even when we try our best to share each other’s dreams, bare our souls, give up our inmost thoughts, even when we intend to stand shoulder to shoulder and face the world, building something new together—there’s always a point at which it falls apart, and despair creeps in, and it’s all gone past recovery... It’s that cold, hard recognition as the morning dawns and all my stupid fantasies of achievement, of desire, of love, scurry away into the shadows. Another one gone, how many more left to live?" Songwriting is magical and this one has "it."

@coreydubrowa

2d ago

☁️

'WHen my mind is uncertain my body decides'

Idk why but this line from In The Morning by Built to Spill just repeats over and over in my head... maybe it's cuz I used to listen to the Front Bottoms song where they ape that line in high school. Something about the way Doug Martsch says it just scratches my brain ykwim ..

@foamite

Apr 18, 2024

⭐

anx/bodies

The first single from Winter Boyfriend from the upcoming album set a, frankly, very different note. 'anx/bodies' is an outlier for us, musically and lyrically, but when putting the final touches to the album it was one of the songs that people seemed instinctively to engage with if they weren't broadly invested in our main thing, essentially indie/indie-punk made by a would-be emo band. At the very least it provoked a reaction. It's a song inspired by a very specific series of events but is not specifically autobiographical. Outside of the world of this song i am much less forward about sex. I enjoy being 'too much' with friends but i really don't want it going anywhere my family might hear it. Repression is fun! I often wonder if that's similar to what actors feel when doing nudity or whatever. It's a case of, "I don't want to know you've seen me experience that?" Anyway, honesty can help in art, but also maybe so too does a little internal repression. It was written about a memory of going to a university disco, arriving at the club where everyone was looking hot and cool, and i suddenly becoming very aware of my inability to be calm. It is essentially about over-stimulation and amorousness and the confusion of that smashing like a wrecking ball through any semblance of chill i might have had. The verse bass riff is really old, easily over 10 years old. I wrote it for a different project, a Death From Above 1979 rip-off thing, and my pal Martin played bass, while i sang and drummed. The song was unremarkable but the riff was cool. There was no way i wasn't keeping it. Also, it explains why it's the only song that uses a fuzz bass tone. Yet. I have no idea when i came up with the guitar riff but it's one of my favourite parts i've written. It's rythmic and a little bit dissonant, but i think the G# implies an E Major chord, making it A minor natural (sorry music theory experts, probably butchering this). I was also unsure if i could allow myself to write the chorus which used power chords. It always feels too basic. But it worked in the context of the song. I finished it years ago aside from a few lyrical tweaks and the introduction sound (chord played, tremolo arm depressed as it fades out, recorded and reversed). Also when mixing the song my references were very different and included a lot of 00s and 10s music, including bands that have been grandfathered into the whole 'indie-sleaze' thing, and it made me realise the second verse needed, nay demanded!, a cowbell and some percussion (the other percussion is drumming on glass bottles fyi). I feel like 'anx/bodies', and the song that follows it, 'on our way home', are two sides of the same coin. One uptight, repressed yet explosive, and the other unrelenting, desperate and flailing. You could almost imagine the latter being later in the same night, getting existential when worse-for-wear. More on that one later.

@ffraniel

Jun 19, 2024

Top Recs from @johnnyutah

🥇

he is my boy, my son

his name is Bowie.

@johnnyutah

Jan 26, 2025

🍝

Yes/no

yay: - smooth rocks - popcorn for dinner - silk pjs - mass market paperbacks - spaghetti houses - sidewalk hopscotch - hotel tv - plot twists - werewolves - oregano nay: - slams and whams - timelines - vegan cheese - billionaires - airplanes/ports - mcu - landlords - mondays - ghouls - dominos ‘pizza’

@johnnyutah

Jan 24, 2025

💸

it’s a wonderful life

I’m sure you’ve seen it, but if it’s been awhile (it had been for me) I recommend a re-watch. My mom‘s husband had been politicking for its election as our annual x-mas watch for years and I was finally out-voted in its favor this year; I can admit I was wrong. I was near to sobbing by the end and its old-timey-ness did not detract from the incredible writing, pacing, and understanding of the human condition, rendering it - actually - time*less*.

@johnnyutah

Jan 27, 2025