I despise non-fiction. I have found little worthwhile or interesting. This book is the exception. Klinkenborg managed to wax poetic about writing in theory while literally showing you how by doing. A pleasure to read. I need a physical copy.
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Feb 20, 2025

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a great one
Feb 20, 2025
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I felt like I was on trial watching Anatomy of a Fall -- for my failures as a writer and the ensuing resentments misdirected at my partner. Seeing my private torments litigated in a riveting courtroom drama, spoken in clinical French, was titillating. The writing was so sharp I could’ve just listened like the blind son Daniel and been engaged. But I loved watching Daniel practice piano, the baby blue glaze over his eyes and his surprise testimony in a redrum turtleneck.Ā  The story wastes no time. Within five minutes, the husband is found dead, bleeding out in the snow. An autopsy cannot rule out foul play and his wife, a writer, becomes the sole suspect. What unravels in court is not only the events that precipitated the death of her husband, but an ultimate tea concoction of their strained relationship, competing literary ambitions and the blame and guilt surrounding the accident that blinded their son. Entering a foreign court is a bit jarring. The rules, procedures and dress are notably different from America and seem silly when defamiliarized. The prosecutor, a bald little gremlin robed in red, was probably my favorite character. Arched, dry and eloquent, he bludgeoned the accused writer with an avalanche of incriminating evidence and was quick to undercut any counter/argument from the defense. Court rules in France appear to allow more cross-talk, making the arguments more conversational than U.S. court dramas, which glorify long-winded monologues.Ā  Impressively, the writer/director thread the needle so well that one is never quite convinced one way or the other. I am easily persuaded and in this lawyerly tug of war, I felt myself suspended over a chasm with demons of jealousy, envy and pride snapping at my feet.Ā  For all the talk of literary failure, this was a written masterpiece. I am drawn to such stories, like a moth to flame, for so many deep and cutting reasons. Like the husband, I deflect and blame others for my shortcomings: If only X, Y and Z were different, then I could write! The wife’s gaslighting voice lives within me too: Make the time and do it, coward! And I disdain my father for giving up sports journalism, and for withholding those ambitions from me (Had I known earlier, maybe then I’d be a staff writer!) and on himself in general.Ā  Funny enough, when I was biking home after seeing Fallen Leaves last week, I had the high thought that my senior thesis anticipated my current condition with regards to writing. My argument was garbled -- something about the author subverting masculine forms/expectations of writing (adventure, heroism) using feminine forms (diary, domesticity) through an act of ventriloquy -- but the book I chose to write about was a book about a wannabe writer’s failure.Ā  Called El Libro Vacio and written by Josefina Vicens, it was a novel about the shortcomings of a middle class man working in middle management and his literary shortcomings. He wanted to be a great writer, but he was tormented and uninspired by the banality of his day-to-day life as a family man. If only he didn’t have a kid and wife, he could hit the road and sail the high seas and finally have something to say! He studiously documents his failures and torments in a diary that amounts to the novel by Vicens.Ā  In my early 20s, I was interested in what makes a good leader. I studied the polar explorer Ernest Shackleton, the most winningest basketball coach Gregg Popovich and read more than a dozen presidential biographies. But now I find myself fixated on failure, my own and my fathers, and I want to learn the art of letting go.
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It’s a collection of essays, short stories, poems, reviews of other books….. and stuff. At points irritatingly pretentious, at others awe-striking and wise. He was a rude and violent person as well as a sexist who for some reason believed himself not to be, but I’ll stand by his writing, particularly this book, being some of the best ever. His style is so markedly his and absolutely brilliant. I’m not selling it well but it’s kind of impossible to say nice things about the man, as much as I adore (most of) his writing.
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This is something the whole family can enjoy. While I’m not really a fan of Rob Smithson’s art (think the spiral jetty film is better than the actual thing, kind of a silly looking creation no?) his writing is really great, sort of reeks of auto-didact vibes but there’s a contagious curiosity to all the shit even if you’re not certain on what he’s talking about. A really fierce intelligence with regards to the imbrication of the anthropocentric landscape, language, and industrial conditions writ large. It’s also just fun. On a sappier level I like reading this stuff because it reminds me to approach everything as a novice. The phrase ā€œruins in reverseā€ from A Tour of the Monuments of Passaic, New Jersey (1967) has haunted me for a while now.
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Alright y'all, standards have gotten a little lax around here and rec quality has taken a dip (I'm including myself in this). Here are some pointers for High Rec Standards. ANATOMY OF A REC: TITLE—This is the rec or recommendations. This is NOT a lead in. Type exactly what you're recommending here. What appears in the Title should finish this sentence, "I recommend _____." BODY—This supports the rec and anything goes. Supporting statements, supporting essays, additional recs, you can get silly, you can pontificate. You can do anything you want. Except putting the main rec down here. Where does it go? That's right. In the Title šŸ‘† IMAGE—No rules. Add one to preference. It can be relevant or a non sequitur. LINK—I highly recommend links but it's not as important as the Title or Body. If you are recommending something that has an online presence (music, movies, websites, products, etc.), Piffies want to click on it immediately. Don't make us google. Be kind a leave a link. EMOJI—No rules. Express yourself. ANTI-RECS: They exist and they are valid recs. "Anti-Rec: _____" clearly communicates this is something best avoided. But a better way format this type of Rec is to use a modifier or verb that flows with "I recommend _____." Ex. I recommend... Not Eating Tacks, Avoiding Area X, Leaving Off the Anchovies, etc.—(Formatting Anti-Recs this way first recommended by tyler the Creator) ANATOMY OF AN ASK: TITLE—This is the question or topic of the Ask. Asks can solicit advice or start a discussion. You have some flexibility here because the Ask is expected to be expounded upon in the body if it needs more context. Just be clear. Again, this is not a lead in. Be direct and ask the question or state the topic. BODY—Provide more context. Narrow the recommendation field. Add relevant links. Remember, the Ask goes in the Title šŸ‘† EMOJI—No rules. Express yourself. ANSWERING AN ASK—Recs on Asks can break style as dictated by the Ask. If the Ask is looking for Recs, give Recs following style. If it's asking for opinions, give your opinion. Asking for links? Give links! Respond however you would respond some someone IRL. Asks start a conversation so you can be more conversational. But keep in mind that these Recs will appear in the main feed. So where you can maintain Rec style, do so. Example: WHAT’S YOUR CURRENT LETTERBOXD TOP 4? A response to this with High Rec Standards would look something like this: TITLE—Lists your current Letterboxd top 4. You are recommending these four movies. BODY—Free reign here. Drop your Letterboxd @. Talk about the movies. Make a quip. Emoji. Relevant links. Nothing. IMAGE—Optional. Screenshot of your top four. Frame from a movie. Dealer's choice. LINK—Add your Letterboxd profile only if you want to be found. EMOJI—Whatever. But it'd be nice if it was relevant. DISCLAIMER: This is a living community document! These are only my recommendations for a foundation. Debate and Discussion of proper style are Encouraged. Any editions and changes to the PI.FYI STYLE GUIDE will be notated with attribution. Changelog: 07.26.2024—Clarified a Rec is not limited to one recommendation. Recs can recommend multiple things. Thanks to shegoestoanotherschool for identifying the issue. / Added guidance for Anti-Rec format. 02.11.2025—Moved SpongeBob Bubble Blowing Technique video link from the top level into the body ("some pointers") so the embed wouldn't override the High Quality instructional graphic.
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