I love photo books and have spent hundreds of hours staring at them since learning they existed at the bard college library about a decade ago. But I’m not sure I’ve ever been so emotionally affected by anyone else’s work. His new book ā€œFailingā€œ completely floored me and his first book ā€œA Period of Juvenile Prosperityā€ is almost as good too. Dark shit tho be prepared
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Apr 10, 2025

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Brutal. Honest. Unflinching. Ugly. You can’t look away, but there is love beneath it all. You’ll either read this in a scorching mad dash or slow it down for more of a controlled burn, either way you will come away changed.
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been deep in beat lit for the past year+ and somehow didnt stumble across this one until now. deeply new york, deeply of the 50s/60s, and some of the most inventive prose style ive read. highly, highly rec. there’s a film w jennifer jason leigh which i will be watching tn
Jan 12, 2024
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ā€˜They’re faggots. They’re writers—quelle surprise!’ I had to ask Gay’s the Word to order Castle Faggot in for me. I used a Ā£7.99 discount token from their pay-it-forward scheme to buy it when it arrived, povo that I am. I spent that Ā£7.99 on one pint at some Bloomsbury pub and read it all in one sitting, twisting the book upside down, inside out, trying to make sure every toff in a gilet could see what I was reading. This is one of the reasons the book is such a powerful object: it branded me. It’s by a faggot, for faggots. No hetero would be caught dead with it in his hands.Ā  In the book’s afterword, Dennis Cooper says ā€˜It does everything it’s doing in three-dimensions.’ Castle Faggot is a real space, an orgy of dead faggots and an amusement park. It’s a scatological Disneyland and a place for faggots to die. It’s a book that at once inspired and destroyed my own work, took a real big shit on it. Derek, as I try to, leans into consumerism with joy and horror simultaneously, locates us in the products we buy and the sugary cereal we crave. It’s also totally absent of literary goop, full of human goop, faggot goop; it’s slender ninety pages make it the perfect artefact. He doesn’t mince words, but he’s a mincer. It’s everything I’ve ever wanted to be.Ā  I hold a real space for myself in my writing and feared it came off as forced, the I character always some more handsome version of me. Derek doesn’t need to include his name for us to know what sickly disturbed fag is talking. When he does do it, it comes off as a joke. As if we didn’t already know. His input is never conceited or dishonest; he pushes out from every shit-smeared hole laughing, screaming, self-loathing. He made me better at inserting myself into my writing and inserting myself into another man. Castle Faggot isn’t just one of the most important pieces of post-AIDS writing, it’s one of the most current pieces of post-AIDS writing. It writes to a world which, honestly, didn’t really experience that tragedy, but which is littered with its bodies. Derek McCormack saw a dead faggot and thought, I’m gonna write on this, or I’m gonna write in this, or I’m gonna write with this. The whole book is a dead faggot crying out against our century, lost in an amusement park, how is this even possible? It’s a mass grave of a book. At some point in the book you have to flip it upside-down, be reminded you’re holding an object; but you’re also forced to read backwards, rescind into a haunted past of faggotry and debauchery. He plays physical tricks with his work that make him a sort of architect. Nothing has ever been written like it, but we need more, and that’s why this book is so important. It sets a precedent. Derek takes the faggy artists of old—the fin-de-siecle writers, or ā€˜fag-de-siecle’—and transforms them into post-AIDS monuments, puerile shit-filled replicas. It’s a children’s book for faggots. It’s the children’s book I always needed as a child but didn’t know I did. It’s a book that reminds us that, as faggots, we’re already dead; but in being written, existing, it encourages us to go on and create. It’s like the faggots’ nuclear bomb, our weapon of mass seduction. It’s hot enough to melt Walt Disney. Castle Faggot is, to me, the logical progression of all faggot art, the consolidation. It’s an exhibition piece on communal existence with AIDS and a call for young faggot writers to acknowledge that they come from a lineage of shit and death, that it’s inescapable, but that there are new things to be done. It explodes traditional narrative expectations and arrives at some other end of the novel, some new territory. It faggots the writing process and the book itself is a dead fucking faggot.Ā  When I finished reading Castle Faggot I held it the whole way home. On the tube I wore it like a band t-shirt. By this point, though, I didn’t just want to be branded, an obvious faggot where I’ve before been called ā€˜the straightest person’ gym bro in my art class had ever seen; I wanted to be a model for Derek’s work, for someone, anyone, some faggot, to look it up, read it, and start writing, start breaking the mould.

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the best and easiest to access archive of free movies I've seen on the internet. this google drive folder has thousands of films and basically covers the entire history of tasteful, cool, and/or groundbreaking cinema. there are deep cuts like Abel Ferrara's debut feature - 9 Lives of a Wet Pussy (a porno from 1970) - and classics like Barry Lyndon. There's hundreds of random DVD extras, a bunch of licensed stock footage, curated collections in folders like "Male Manipulators" and definitely a lot of stuff I haven't figured out yet. It's kind of an unorganized shit show in there but you gotta dig through dirt to find gold, so just shut up and grab ur shovel. I wish I found this when I was a teenager because it would have changed my life.
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no one told me to watch this until now so I’m telling you you need to watch this now
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