Related Recs

🎹

my journey as a musician

started in middle school wanting to be skrillex and made some heinous dubstep, got way too heady about music theory and wanted to be machinedrum for a bit to flex that I knew other time signatures than just 4/4, then i went to college to study music and realized music theory is actually dumb and 4/4 is sick and I wanted to be kaytranada and make the simplest lil house tunes to dance to, then a friend from college and I shared our love for 80s new wave music and John Hughes movies and we made some fun synthpop to play at an 80s prom night as our senior capstone project, then that friend and I graduated in the pandemic together and made depressed synthpop that we were way too heady about because we needed to prove that our music degrees were valuable and that we didn’t waste our time in undergrad and that we weren’t failures as artists, then I moved away because having a music degree in NYC in the pandemic got you no jobs and shelved music for a while because I felt like a failure, got into early digital production from the 80s and got sick of working with plug ins and switched to synths and drum machines instead, figured out what post-music degree life looked like for me and moved again for grad school to get an MBA so I could actually get jobs on the business side of music, then I covered a Todd Rundgren song with a friend that I met at grad school to represent establishing a healthier relationship to my music now that it wasn’t tied to my self worth/career and just generally being on a better path in life. now I just make weird synthy stuff for fun and only release music when I care enough about a song to finish it TLDR I listened to skrillex once and now i’m studying finance because I’ll never live out my fantasy of actually being him

@royallmonarch

May 4, 2024

🎵

It all started on an ipad

Throughout my whole life, I had awful music teachers. I had a piano teacher that made me sit on my hands because he was frustrated with the way I played scales and a music teacher in primary/middle school that gave me so many anxiety attacks that my doctor finally gave me a note so I didn’t have to go anymore. I was told so many times throughout my life that I had no music talent, discouraged from going further than scales but all of those people (teachers!!!!) were wrong. They just couldnt fathom that I had a different musical brain than them. When I was 23, I ended up having to move back home from LA after my job rescinded their promise to sponsor me for a visa. I was depressed and heartbroken and lonely. I went to school for writing but didn’t want to write anymore so I ended up opening GarageBand on my iPad. I was inspired by all the things I could do on it. I suddenly felt like I was entering a new world. After making a couple beats, I started moving everything over to the laptop version of GarageBand. I bought big headphones, a cheap usb mic and a keyboard off of a guy from Craigslist and continued to tinker. One of my favorite things to do at the time was to download karaoke midi tracks of popular songs I loved, import them into GarageBand and change the instrument until I felt like I was making something new. I would then use my shitty mic to wail on top of it. I used GarageBand for years after that to make tons of songs that I just uploaded to SoundCloud without thinking about it much. Eventually I got a controller/sampler and access to Ableton and thats when the fun really started. My love for music making snowballed after that, I amassed more gear and skill and eventually made an album after a couple years. I was obsessed with making it and while I feel really whatever about it now, I don’t feel whatever about the experience. Music has allowed me space to express parts of me that there are no words for. The best thing I can impart is to take advantage of this. There are some things that you can only explain with a kick drum or a sine wave or a really hard bassline. Music is still a huge part of me! I made another album after that first and now I’m working on my next project. I recently reincarnated myself (everyone in the ~industry~ advised against this but I’m a different person now) and I’m excited to see what’s in store for me. I don’t expect to make money or become famous but music feeds my soul in a way nothing else can. Have fun!!

@nicky999doors

May 4, 2024

📝

Stuff I do: Music

I've been writing/playing/recording/releasing my own music since around 2016. Music's been one of my passions in life since I was 10, all I wanted to do was write songs and play them. I had this purple notebook throughout middle school that I would write song ideas down in, mostly lyrics that I had a tune in mind for. But as with a lot of things in my life, I felt insecure and lacked confidence in my abilities and that led me to pursue the visual arts, which is a passion I'd had since I can remember and I got a lot of praise in growing up. I've been trying to make music for the sake of making it and not for the pipe dream of making a living off of it. To me, doing things like art and music for money is a will killer; it strips all the passion and creativity from the work and it becomes solely about money. It would be nice if some day I luck into making enough money to support myself via my art, but I don't think that's going to happen and I'm not going to play the systems available to me and sell my soul in the process. Going to art school was a bad idea. Anyway, I have been daydreaming here and there about making some instrumental work and making a portfolio, try to get composer work maybe. Don't think my style lends itself to that but you never know. It's less personal that way too, with no words. The words are the hardest part. I don't know what to say, don't know what I should put my voice behind. I want to be honest about myself, my life, my experience since that's the only thing I would call myself an expert on. And I've been trying to build that up like a muscle, trying to get myself comfortable with writing and singing what I've written. Singing in general. Trying to improve my playing too. I'm not sure if I'll ever get to a point where I'd be playing in front of an audience night after night, that's not really something I want. I believe in the power of performance, something I've been wanting production wise is to keep it simple. Vocals and me playing whatever instrument at the same time, a live recording. I think having to perform the same song every day kills that. I've been listening to a lot of different music to learn from it, appreciate it. This started with the blues and folk, and where the name Sam the Wayfarer comes from. A lot of folk and blues musicians have names like that- First name the something. Rambling first name, Blind first name, etc. I'm going to switch to a different name, more of a band name than my first name being involved. Not willing to do my first and last name. Not sure if I should make it its own project or just put it over top the wayfarer stuff. But it'll be more of the same. I don't have a big sound and I like to experiment, play around, do what comes naturally. I'd love to make louder music, but I don't have the space to scream and yell and thrash just yet. I just want to be me.

@ridykeulous

Jul 10, 2024

Top Recs from @royallmonarch

📴

DETACH from the algo, become an active participant in your own curation, form relationships to music, track your patterns

I consume a lot of music regularly, and a huge part of keeping a fresh diet of new listens going is having enough sources of recommendations that aren’t an algorithm that either 1) reinforces your existing listening patterns, keeping you stagnant in your tastes, or 2) platforms whoever paid enough to push their product to the top, serving you something that may not inherently be of inferior quality, but may not align with your tastes, may not be exciting beyond just being a new release, and realigns your current listening habits to be more in line with what the average user on the platform is also listening to — which socially might have benefits but which creates a homogeneity of consumption that can become bland since you’re listening to something really just because it’s the next product on the assembly line to have its public moment and not because anything about the music actually captured your attention. the current landscape of streaming is designed to keep you at an all you can eat buffet where you take what’s served to you, and as a result a lot of us have forgotten how to look at a menu and order. so what does taking a more active role in your own music curation look like? for me, it’s meant not using streaming as a primary listening platform. I mostly use my local Apple Music library on my phone that I curate with the vestigial iTunes Library framework that’s still a part of Apple Music on my laptop. probably going to find an alternative soon since apple seems to be cutting integration progressively. I like this method because it forces me to choose what to sync to the limited storage space I have, forcing me to take inventory of what I actually listen to and what I can offload. the files I get are mostly from Bandcamp or Soulseek depending on whether it’s available for purchase or entirely unavailable online (as is the case for a lot of electronic music that was on vinyl only, which is where soulseek comes in clutch). I also have freedom here to change the ID3 tags to better sort and organize, rate, change track info, and track my own listening data. Bandcamp and other music purchasing platforms are great because 1) it reshapes my relationship to music away from consumerism and back towards curation. I have to pay actual money for this thing now if I want to use it, so i’m forced to consider its value (usually i’ll stream a release first to gauge my interest). 2) having to spend money helps me to course out my meals so to speak, as i’ll buy a few releases i’ve accumulated in my cart over the month and cash out on Bandcamp Friday when 100% of my money is actually getting to the artist (TOMORROW IS BANDCAMP FRIDAY BTW!!!), and between purchases I can actually chew and savor and digest my last orders, they don’t get swept up in the deluge of new releases. my plate is full until i’m done and then I order more. also for the times of the year like now when new music isn’t coming out as regularly I take time to find older music that I would normally overlook while keeping up with new drops. currently very into early 80s/late 70s music with early digital production, kinda stuff that would evolve into synthpop and dance music. so how do you know what to order? for me, I’m getting recs through trusted curation platforms. whether it’s bandcamp daily, y’all lovely folks here on PI.FYI, friends, or most importantly musicians who I follow on socials that share their tastes through posts, stories, playlists on steaming, interviews, etc. I like this last one especially because it’s kind of like a musical game of telephone. if I like an artist and they share their interests and influences it’s like every layer in this process is stretching my palate further from the sound that I was originally interested in and into a new territory that has some shared DNA but would never have been recommended to me by an algo because there’s no shared category or label between them, only the musical influence and interpretation of it made by the artist. as an example, I was a huge Skrillex stan, he signed KOAN Sound to his label, they collab with Asa who collabs with Sorrow, Sorrow takes huge influence from Burial, Burial makes some ambient adjacent stuff and takes huge influence from 90s rave music and drum and bass and 2000s rnb, now i’m listening to Brandy - All in Me, William Basinski, Aphex Twin, none on whom would get recommended by Spotify to me from Scary Monsters and Nice Sprites. LAST thing i’ll say — because in yappin about this i’m realizing how actually passionate about this subject I am: MAKE LISTS! playlists are cool, but they can flatten your music into vague categories of “vibes” and “aesthetics” and encourage picking one-off songs from artists that you never form an active audience relationship with. I make a practice of making my own year end lists of top 25 albums (plus some honorable recs and top individual songs) and keeping them in a notes doc that I regularly update and rearrange over the course of the year. this forces me to consider the actual relationship i’m forming with what i’ve ordered for myself. did I like it in the moment but it didn’t have staying power? is it slowly growing on me? it also encourages taking albums as a whole. maybe I liked one or two tracks a lot but the rest wasn't resonating. that’s ok! maybe I rank it lower but now i’ve actually taken time to consider it, it’s in my library, and maybe (quite a few cases for me) something I ranked like bottom 5 albums becomes a retroactive favorite from that year as my tastes evolve. also 25 albums to take with me from each year is really more than you'd think, i struggle sometimes to even find 25 that I formed a true connection with. I think the biggest thing the itunes era ruined that led into now is the single-ification of music, the ability to separate the hits from the deep cuts. albums are meant to be taken as a whole, and then once you've really sat with the whole you can find what actually stuck. even then I like to keep the whole around because soooo often i’ll write off a track that yeeeears later I come to love. trust the artist, they made it like they did for a reason. aaannyyyywayy TLDR: get recs organically, be more active in deciding your listening patterns, fr*cken pay artists yall, trust the artist embrace the album, really consider what you consume

@royallmonarch

Feb 29, 2024

🤝

be the change you want to see

i’m not gonna go into the state of politics in this country, frankly I enjoy that this site has been a politics free space for the most part. with that being said, resigning to despair and the feeling of powerlessness serves only the status quo. inaction is not the solution, nor is waiting for the government to be what you want it to be. politics over: here’s the rec be the change you want to see as much of a cliche as this saying is, i’ve grown to believe in it with my full being as i’ve gotten older. for the things you have control over, for the practical needs that you can meet within your community, for the little things you can do every day to ease someone’s burden or generally be a pleasant interaction in someone’s life: bring to the world what you feel it lacks. where you live there are likely already communities that are arising to support each other and call for change. seek those out if that’s a motivating notion for you. participate as much as you are able and as little as you please, every bit counts. being a visible and tangible example of how the agency we all have can create something better will motivate others to find their voice. a lot of people feel like you, but even a few in action is better than multitudes in despair. community is so key, and the world we live in has created a situation where isolation is the default so that individuals are forced to rely on the market or the state to meet their needs. how much better would it be to have neighbors and friends as a support network, mutually exchanging their time and resources to strengthen the communtiy and invest in relationships that benefit the whole. the moment we all realize that we can do for each other what the world tells us we need to do ourselves, the stronger we will be and the more we can come together and enact real change from the bottom up, rather than being divided in pleading for a top down approach. this may sound revolutionary because we have become so detached from community that we cannot envision the changes in our model of living that would have to be made, but it’s sooo not that deep, and it feels more like investing in the good in others than sacrificing personal comforts. it can look like: - shopping at a local business vs a corporate chain, get to know the staff, get to know your fellow patrons - spending time with friends, there doesn't need to be a reason or occasion. make meals together, drive together to go do something, maybe literally just be in each others presence as you do daily life, share each others sacred presence amidst the mundane - give things you don’t need to a friend who does, exchange clothes, exchange favors, share knowledge and resources, lend a skill or a craft, donate things if you don’t know someone who can use it, exchange things and experiences without the need for monetary incentive - create things together, make art together, share and exchange media, try things for the joy of experiencing them without the need to be “good” at it, - grieve together, worry together, talk out negative feelings, commiserate, support, encourage, motivate, share your accomplishments, celebrate together - get to know your neighbors, why is everyone in isolation while in such proximity? - get off that damn phone if it makes you feel bad, you wont miss out, the world happens outside of it, unlearn FOMO - enjoy nature, go on walks, get outside, sweat and run and jump and see the sky - remind yourself that life is about what happens right now, don’t be concerned with what could be or what was if you are unable to affect it in the present. - go to a concert at a small venue for an artist you’ve never heard of, bring friends, don’t preclude experience for the perceived necessity of entertainment - unlearn grindset, but also unlearn bainrot. don’t fester in your down time. rest can be active, activity can be restorative. your time is precious and you will meet your need for purpose and direction by literally choosing to pursue a “meaningless” hobby in even what little time you may have vs scrolling and taking psychic damage. - learn to enjoy the abundance of freely available joy in this world, we have been tricked to believe that money is the sole provider of a happy life idk i’m just becoming mindful of what brings me life in this world and so much of it is available to me solely by seeking it out instead of idleness in my free time under the guise of “rest.” so much if it comes from seeing the divine in others and creating bonds and relationships and support networks. so much of it comes from enjoying beauty and art, and moderating and savoring that experience vs endless consumption and media gluttony. the world through a screen is bleak, the world in front of your eyes can be beautiful, the system is broken but you and everyone you know has some untapped agency. anyway imma get off my soapbox, go catch a firefly or sit around a campfire with the homies. you’ll be glad you did.

@royallmonarch

Jun 29, 2024

🚪

deleting hinge

not because you met someone or anything but because you take psychic damage every time you doom swipe on there and you probably never liked being on there in the first place and why does everyone seem to have a wack helen keller take and feel the need to put that on their profile like it’s cute?? time to do it the old fashioned way and mix and mingle at the sock hop or however our grandparents did it. after all, you just being around and living life is gonna be a better pitch for why someone should date you than those same 5 photos and your two-truths-and-a-lie prompt.

@royallmonarch

Feb 22, 2024