as I am wont to do in the spring - a time of great change, tension, and atmosphere - and to accompany my ever-evolving practice of laptop noise and found-object/code-breaking music-making, discovering high quality EAI records from time past has become something of a ritual. This key record - by three women powerhouses, and released by IMJ in 2002 - features a frighteningly alien, totally synthetic, and blistering take on quiet sound-object dismantling. The notable piece is the bisected opening "I.", where the former part's twenty-minute excursion into extremes of volume and extreme space, littered with unknowable sine blirps and kaffe's sample-tronics giving way to the latter's vicious post-post-jazz, with a particular extreme stretch of Sachiko's sine wave generator finding a truly head-splitting tone while andrea and kaffe building the scaffolding